Contact us at WeBuyRareBooks@gmail.com or (646) 469-1851 for a free evaluation of your old and rare books. We are located by appt. at 1510 Lexington Ave and by appt. at 1050 2nd Ave (@55th) Gallery 93 in the Manhattan Art and Antique Center.
In this video, I will show you how I value an early 17th century copy of the famous Malleus Maleficarum or the “Hammer of Witches” I’ll mention a couple sites that dealers use to check the completeness of rare books and look up auction prices which can help provide comparable for rare book appraisals. Feel free to reach out if you would like me to value any of your rare books or manuscripts. You can text photos directly to 6464691851 or email them to email@example.com.
While this blog is primarily devoted to evaluations and appraisals of rare books, I made this video below with tips on some places where one can go today to hunt for and find rare books to buy. If you are a new collector, or want to get into the antiquarian rare book business, take a look.
I am a very active buyer of early English books and tracts from the 1500s through the 18th century.
I recently received this interesting 17th century work – Walter Cradock’s “Gospel-libertie: in the extensions limitations of it.”
One of the difficulties of buying a rare book like this from private person or family, is making a fair evaluation and offer. After all, somebody who has inherited a book or library, may not have a full sense of the value of their book or collection. They may also have high expectations- as many people reasonably would for a book that is 370 years old!
In such circumstances, a rare book dealer should try to be as transparent as possible. Usually, one is not dealing with unique works of art, but rather with books – even rare ones – that have nevertheless sold previously and for which their are comparable examples in the auction records. I am always happy to supply such comparables from databases such as Rare Book Hub or the American book prices current etc. for books that are emailed or sent to me.
So, what is this 1648 copy of Gospel-libertie worth? When considering this important question, one has to consider many aspects the book.
1) It’s rare: According to Rare Book Hub, no copy has been offer for sale at auction since it appeared at Sothebys in 1994 (albeit in a group lot for GBP 1,265). That is a plus.
2) It’s interesting: The author, Walter Cradock, was an unflinching advocate of liberty of conscience. Some considered him a Puritan dissenter or a radical troublemaker (who doesn’t like books by troublemakers?). A reading of the work shows he was no doubt influenced by the religious upheaval of the English Civil War as well as the early preaching of the Gospel in the new English colonies. As an early work that promoted religious liberty, it resonates with modern readers. All good.
3) It’s charming: Wrapped in old paper boards and with a 19th century (or earlier) string holding the loose signatures together, it certainly has some vintage charm and visual appeal.
4) Nevertheless, it is (at least for serious collectors) in poor condition. The text block is broken, some pages are detached and internally, it has had its fair share of the ravages of time. Frustratingly, it is also lacking a single page of the table at the end (underscoring the importance of properly ‘collating’ a book and verifying its completeness).
Therefore, despite its intellectual appeal and even the visual authenticity of book that survived great upheavals, it is a book probably only worth $250 or so – and even at that only to the right customer ready to overlook its flaws (something that is as hard to do in the dating world as in the world of selling antiquarian books 😉
If you have an early English book, and you would like a free evaluation, feel free to send photos to firstname.lastname@example.org or text them to 646 469 1851.
— Adam Weinberger, Member ABAA Rare Book Buyer 1510 Lexington Ave 9D NY, NY 10029 (646) 469 1851 Note: By Appointment Only
Title and land deeds survive in abundance. They are often large sheets of particularly sturdy parchment that have escaped the ravages of time that destroy a lot of other early paper counterparts and ephemera. They are also quite attractive, filled with meticulous calligraphy and generally remain a very neglected area of collecting. I am often offered vellum deeds or asked how much they are worth. Surprisingly, most have very little monetary value in the market unless they are signed by important people, are particularly early, or can shed some light on an interesting household. Still, any old deed should be properly evaluated as some can fetch substantial sums. For example, a deed to Mohawk land at Schenectady, New York to Johannis Vedder, signed by 3 Mohawks with their totem signatures, recently got $18,000 at a rare book auction.
This recently purchased 1694 New York deed is not in the high value category of Indian deeds, but it is of scholarly interest. It conveys a water lot of Peter Sinclair, a mariner on the south side of Pearl Street. Wait, but Pearl Street does not touch the water? Well, it once did. In fact, it was the original eastern shoreline of the lower part of Manhattan Island, until the latter half of the 18th century when landfill over the course of several hundred years has extended the shoreline roughly 700–900 feet further into the East River, first to Water Street and later to Front Street.
Besides affording a lesson in early Manhattan geography, if not urban planning, it also gives insight into early immigrant communities. According to Joyce Goodfriend’s “Before the Melting Pot” (1994): “Religious persuasion may also have influenced the marriage choices of British immigrants to New York City. Because of the doctrinal similarity between the Presbyterian church and the Dutch Reformed Church, dissenters may have found it relatively easy to marry into Dutch families. Three Scottish men, for example, married Dutch women in New York City. ” One of those Scotsman, RobertSinclair, married Mary Duycking in the New York City Dutch Reformed Church in 1683. “Sinclair‘s life history shows how a British newcomer was incorporated into a Dutch kinship network in New York City.”
I have had numerous enquiries over the years to evaluate and appraise old manuscripts. Certainly, I come across my fair share of antiphonals, graduals and choir books that once graced innumerable churches in Spain, Italy and Europe. Given their large size, the incredibly resilient vellum upon which they were written, and perhaps the respect (not always) accorded to obviously religious books, a lot have survived.
The value of such a manuscript is quite complicated and here I cannot of course go into all the particulars regarding the age, style of decoration, illuminations etc. that factor into their value. As an illustration, below is a recent one that passed through my hands- a rather elegant late 15th to 16th century Spanish antiphonal. It was almost complete with a large number pages (234 in total), albeit at some point, as is often the case, the finest pages were likely removed as specimens of the illuminated art. Still, many very attractive pen-work initials survived in Mudejar style that reflect the artwork of the individual Moors or Muslims of Al-Andalus who remained in Iberia after the Christian Reconquista.
One thing that I do not do is appraise these manuscripts as the value of an average individual page multiplied by the number of pages. These are what I consider “book breaker” calculations and it is not something that I even consider. Many beautiful books have been broken over the years for their plates as well as fine atlases dismembered for their individual framable maps. Thankfully, given the economics of the trade, this has become less of an issue as complete preserved copies are often worth more as a whole than the some of their parts. However, I do find the practice continues with antiphonal and liturgical manuscripts and the economics of selling individual pages at modest prices still favors tearing such books apart.
I will write here a bit of bibliophilic heresy (I know brace yourself!) because while I do not condone the practice of breaking these manuscripts or evaluate them on that basis, I do not condemn it either. Many of these manuscripts are incomplete, and single examples (given the large surviving numbers) generally do not have singular importance in terms of what they add to our cultural or historical understanding of the period. Also, in times past, dealers like Otto Ege, who made a controversial practice of dismantling medieval manuscripts and selling the pages individually, also served the interest of scholarship in having some examples (even fragments) dispersed to many universities and a wider audience of students. Therefore, I cannot say today, given the seemingly widespread lack of interest in objects of culture in general, that something is not gained by having individual vellum leaves from such manuscripts grace ordinary living room walls.